PATH to Emptiness

Photographer’s notes

This series was taken early on a Sunday morning in Toronto’s underground PATH. As I was walking around in the deserted commercial space, I began to see it as a metaphor for the emptiness of our consumer lifestyle.

In all frames, note the hard linear wall surfaces, and the grid of the floor tiles. Nearly every image also holds some commercial signage.

I shot with a high ISO as I had no tripod; the resulting graininess enhances the images. Nothing in any of these images (except The Black Gate) was arranged – it’s all shown as it was. As well, all the images were shot full-frame.

Frame 1: The final rainbows

The bright daylight from beyond the door leaves a spectrum on the floor, echoing the rainbow motif on the wall. The rest lies in shadows.

Frame 2: The beacon

The bright light shines from between the escalators and the stairs. Reflections from the black and clear surfaces continue the scene to the right and through the stairs and escalators. The blue glow is also seen at the end of the series.

Frame 3: The Messengers

The wide angle view emphasizes the isolation of the Messengers near the corner. Their lively colours contrast with the bland setting. They looked like they were waiting to escort me somewhere.

Frame 4: The Black Gate

I had to work at not getting my reflection in the black surface, though I also tried in other images to have my reflection sitting, ghostlike, on the bench.
The image has been reversed to make it look as if the Moneysworth & Best and other stores are behind The Gate. This necessitated re-reversing the logos on the recycling/garbage bin. The low point of view emphasizes the leading lines in the floor, ceiling and lights, and the obstacle between you and The Gate.

Frame 5: The descent

The structure of the lighting is reversed from normal: the near scene is darker than the distance. The lights over the stairs work with the opening to the descending walkway to form a maw, drawing you down the slippery path toward the light.

Frame 6: The holding pen

The black, angled framing emphasizes the glow from the lights, especially the distant blue glow. The chrome chair legs form spiky barriers, but there are clear pathways. And one chair stands ready. Who is it for?

Frame 7: The Empty Throne

Three tables, three chairs, reminiscent of Cerberus. That cold blue glow.

Shows:

This series was first shown together at The Aurora Cultural Centre in 2012. The descent and The Empty Throne were in The Uxbridge Juried Exhibition in 2012, with The descent winning Best Photography.

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